{"id":8127,"date":"2019-09-23T13:39:39","date_gmt":"2019-09-23T13:39:39","guid":{"rendered":"https:\/\/goethezentrum.md\/?p=8127"},"modified":"2022-09-23T13:54:34","modified_gmt":"2022-09-23T13:54:34","slug":"taxonomy-modova-re-searching","status":"publish","type":"post","link":"https:\/\/goethezentrum.md\/de\/taxonomy-modova-re-searching\/","title":{"rendered":"Taxonomy Modova. Re-Searching"},"content":{"rendered":"
Taxonomie Moldova este proiectul expozi\u021bional realizat de artistul \u0219i fotograful german Volker Kreidler, \u00een colaborare cu curatoarea \u0219i mediatoarea de art\u0103 din Ucraina Tanja Sokolnykova. Ambii sunt stabili\u021bi la Berlin \u0219i lucreaz\u0103 \u00eempreun\u0103 din 2014. Taxonomie Moldova este proiectul expozi\u021bional realizat de artistul \u0219i fotograful german Volker Kreidler, \u00een colaborare cu curatoarea \u0219i mediatoarea de art\u0103 din Ucraina Tanja Sokolnykova. Ambii sunt stabili\u021bi la Berlin \u0219i lucreaz\u0103 \u00eempreun\u0103 din 2014. Totul a \u00eenceput cu o c\u0103l\u0103torie a lui Volker Kreidler \u00een Moldova \u00een anul 2015, mai t\u00eerziu, Tanja Sokolnykova s-a […]<\/p>","protected":false},"author":1,"featured_media":8128,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[53],"tags":[],"class_list":["post-8127","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-53"],"acf":[],"_links":{"self":[{"href":"https:\/\/goethezentrum.md\/de\/wp-json\/wp\/v2\/posts\/8127"}],"collection":[{"href":"https:\/\/goethezentrum.md\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/goethezentrum.md\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/goethezentrum.md\/de\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/goethezentrum.md\/de\/wp-json\/wp\/v2\/comments?post=8127"}],"version-history":[{"count":1,"href":"https:\/\/goethezentrum.md\/de\/wp-json\/wp\/v2\/posts\/8127\/revisions"}],"predecessor-version":[{"id":8129,"href":"https:\/\/goethezentrum.md\/de\/wp-json\/wp\/v2\/posts\/8127\/revisions\/8129"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/goethezentrum.md\/de\/wp-json\/wp\/v2\/media\/8128"}],"wp:attachment":[{"href":"https:\/\/goethezentrum.md\/de\/wp-json\/wp\/v2\/media?parent=8127"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/goethezentrum.md\/de\/wp-json\/wp\/v2\/categories?post=8127"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/goethezentrum.md\/de\/wp-json\/wp\/v2\/tags?post=8127"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Totul a \u00eenceput cu o c\u0103l\u0103torie a lui Volker Kreidler \u00een Moldova \u00een anul 2015, mai t\u00eerziu, Tanja Sokolnykova s-a al\u0103turat \u00een c\u0103l\u0103toria care dureaz\u0103 \u00eenc\u0103 p\u00een\u0103 azi. \u00cen ultimii ani ace\u0219tia au explorat situa\u021bia socio-politic\u0103 ambigu\u0103 \u0219i contradictorie din Moldova, tras\u00eend transform\u0103rile post-sovietice \u00eencorporate \u00een interrela\u021bia oamenilor \u0219i mediul \u00een care ace\u0219tia tr\u0103iesc cu ajutorul fotografiei. Dorin\u021ba de a descoperi ce se \u00eent\u00eempl\u0103 la periferia Europei a devenit un proces mental care chestioneaz\u0103 probleme variate \u0219i complexe – ce este recunoscut ca o periferie \u0219i cine decide ce este centrul? Cum s\u0103 reflect\u0103m critic transformarea post-sovietic\u0103, retorica europeniz\u0103rii \u0219i migrarea intens\u0103 care a adus Moldova \u00eentr-o stare de dezmembrare? Cine sunt cartografii Moldovei, care mapeaz\u0103 c\u0103ile sale \u0219i \u00eei definesc corporealitatea? Cum putem adopta sensul localit\u0103\u021bii \u00een timp ce contest\u0103m imaginile fixe ale acesteia? Cum putem tr\u0103i, \u00eenv\u0103\u021ba, \u0219ti \u0219i ac\u021biona diferit, r\u0103spunz\u00eend nu doar la provoc\u0103rile locale, dar \u0219i la cele globale \u2013 exploatarea ecologic\u0103, injusti\u021bia epistemologic\u0103, domina\u021bia logicei de pia\u021b\u0103 \u0219i excluderea social\u0103 nu au grani\u021be geografice, noi suntem cu to\u021bii interconecta\u021bi.
Aceste reflec\u021bii au provocat cartografierea fotografic\u0103 \u00een formatul unei expozi\u021bii prin crearea unei zone de contact a unei map\u0103ri colective a Moldovei, ce-\u0219i propune s\u0103 interogheze \u0219i s\u0103 remodeleze politica loca\u021biei \u0219i apartenen\u021bei \u00een favoarea unei politici a rela\u021biei \u0219i a rela\u021bion\u0103rii – rela\u021bionarea fa\u021b\u0103 de corpurile noastre, fa\u021b\u0103 de comunit\u0103\u021bi, locuri, mediul \u00eenconjur\u0103tor, g\u00eendirea apartenen\u021bei ca o nevoie de a fi \u0219i a crea \u00eempreun\u0103, ca la o mi\u0219care \u00een direc\u021bia altuia sau a necunoscutului, dec\u00eet a sim\u021bi ata\u0219ament sau a ne identifica cu anumite locuri sau grupuri de persoane care g\u00eendesc la fel. Apartenen\u021ba, care nu este o condi\u021bie sau o caracteristic\u0103 esen\u021bial\u0103, ci mai degrab\u0103 un proces al particip\u0103rii, negocierii, este rela\u021bionarea personal\u0103 cu domenii aparent \u00eendep\u0103rtate \u0219i acompanierea unuia cu cel\u0103lalt \u0219i cu mediul \u00eenconjur\u0103tor.
Programul public Re-Searching este o parte bazat\u0103 pe proces din expozi\u021bia Taxonomie Moldova, fiind mediat prin formaturi participative educa\u021bionale (Summer de(School)ing, \u0218coala de var\u0103 de mediere prin art\u0103 din august 2019, ateliere \u00een perioada expozi\u021biei) precum \u0219i programul public de discurs \u0219i discu\u021bii.
Proiectul este sus\u021binut de Centrul Cultural German AKZENTE \u0219i Institutul Goethe. Partenerii proiectului sunt [KSA:K] – Centrul de Art\u0103 Contemporan\u0103 din Chi\u0219in\u0103u \u0219i Colegiul de Arte Plastice „Alexandru Pl\u0103m\u0103deal\u0103”.
Mai mult\u0103 informa\u021bie pute\u021bi accesa pe pagina proiectului:
https:\/\/www.facebook.com\/Taxonomy-Moldova-Re-Searching-104611780919694\/?modal=admin_todo_tour<\/a><\/p>","protected":false},"excerpt":{"rendered":"